“Hulloa. You’ve got ’em on,” she said. Beauty. That was the key to the riddle. All Nature: its golden sunsets and its silvery dawns; the glory of piled-up clouds, the mystery of moonlit glades; its rivers winding through the meadows; the calling of its restless seas; the tender witchery of Spring; the blazonry of autumn woods; its purple moors and the wonder of its silent mountains; its cobwebs glittering with a thousand jewels; the pageantry of starry nights. Form, colour, music! The feathered choristers of bush and brake raising their matin and their evensong, the whispering of the leaves, the singing of the waters, the voices of the winds. Beauty and grace in every living thing, but man. The leaping of the hares, the grouping of cattle, the flight of swallows, the dainty loveliness of insects’ wings, the glossy skin of horses rising and falling to the play of mighty muscles. Was it not seeking to make plain to us that God’s language was beauty. Man must learn beauty that he may understand God.!

The other was a young priest. He wore the regulation Red Cross uniform, but kept his cassock hanging on a peg behind his bed. He had pretty frequent occasion to take it down. These small emergency hospitals, within range of the guns, were reserved for only dangerous cases: men whose wounds would not permit of their being carried further; and there never was much more than a sporting chance of saving them. They were always glad to find there was a priest among the staff. Often it was the first question they would ask on being lifted out of the ambulance. Even those who professed to no religion seemed comforted by the idea. He went by the title of “Monsieur le Prêtre:” Joan never learned his name. It was he who had laid out the little cemetery on the opposite side of the village street. It had once been an orchard, and some of the trees were still standing. In the centre, rising out of a pile of rockwork, he had placed a crucifix that had been found upon the roadside and had surrounded it with flowers. It formed the one bright spot of colour in the village; and at night time, when all other sounds were hushed, the iron wreaths upon its little crosses, swaying against one another in the wind, would make a low, clear, tinkling music. Joan would sometimes lie awake listening to it. In some way she could not explain it always brought the thought of children to her mind. The street was empty. They were pacing it slowly, up and down.

“So I do,” Joan defended herself. “I’m in and out there till I’m sick of the hideous place. You haven’t seen the inside. And his wife knows all about it, and is only too glad.” Joan bore the germ of worry in her breast as she crossed the Gray’s Inn Garden. It was a hard law, that of the world: knowing only winners and losers. Of course, the woman was to be pitied. No one could feel more sorry for her than Joan herself. But what had Madge exactly meant by those words: that she could “see her doing something really big,” if she thought it would help him? There was no doubt about her affection for him. It was almost dog-like. And the child, also! There must be something quite exceptional about him to have won the devotion of two such opposite beings. Especially Hilda. It would be hard to imagine any lengths to which Hilda’s blind idolatry would not lead her. “Don’t give me ideas above my station,” laughed Joan. “I’m a journalist.”